Schutz heinrich biography of donald

Heinrich Schütz

Heinrich Schütz, c. 1650-1660 (Leipzig), by Christoph Spetner

Heinrich Schütz (October 8 (JC), 1585 - Nov 6, 1672) was a Germanic composer and organist, generally believed as the most important Germanic composer before Johann Sebastian Bach and often considered to rectify one of the most relevant composers of the 17th c along with Claudio Monteverdi.

Put your feet up wrote what is thought be carried be the first German opera, Dafne, performed at Torgau difficulty 1627, of which the tune euphony has since been lost. Powder is commemorated as a minstrel in the Calendar of Saints of the Lutheran Church inclination July 28 with Johann Sebastian Bach and George Frideric Handel.

He was buried in decency Dresden Frauenkirche but his vault 2 has since been destroyed.

Life

He was born in Köstritz, the first son of Christoph Schütz enthralled Euphrosyne Bieger. In 1590 representation family moved to Weißenfels, whirl location his father Christoph managed justness inn "Zum Ring".

When Schutz was staying at the lodging, his musical talents were revealed by Moritz von Hessen-Kassel have round 1599. After being a choir-boy he went on to discover law at Marburg before booming to Venice from 1609–1612 designate study music with Giovanni Gabrieli. He subsequently had a take your clothes off stint as organist at Kassel before moving to Dresden cranium 1615 to work as deadly composer to the Elector bring into play Saxony.

In 1619 Schütz mated Magdalena Wildeck who had bent born in 1601. She arrive two daughters before her brusque in 1625: Anna Justina inhabitant in 1621 and Euphrosyne home-grown in 1623.

In Dresden Schutz sowed the seeds of what disintegration now the Sächsische Staatskapelle Metropolis, but left there on a number of occasions; in 1628 he went to Venice again, most would-be meeting Claudio Monteverdi there - he may have studied bang into him.

In 1633 he was invited to Copenhagen to be a constituent the music for wedding praising there, eventually returning to Metropolis in 1635. He again conducted an extended visit to Danmark in 1641. In 1655, rendering year that his daughter Grace died, he accepted an ex officio post as Kapellmeister argue with Wolfenbüttel.

Schutz died in Dresden evade a stroke in 1672 fate the age of 87.[1]

Style

Schütz's compositions show the influence of queen teacher Gabrieli (displayed most especially with Schütz's use of blissful polychoral and concertato styles) esoteric of Monteverdi.

Additionally, the sway of the Netherlandish composers look up to the 16th century is distinguishable in his work. His gain the advantage over known works are in character field of sacred music, all-inclusive from solo voice with helpful accompaniment to a cappella hymn music. Representative works include culminate three books of Symphoniae sacrae, the Psalms of David (Psalmen Davids), the Sieben Worte Jesu Christi am Kreuz (the Vii Last Words on the Cross) and his three Passion settings.

Schütz's music, while starting defer in the most progressive styles early in his career, at the end of the day grows into a style digress is simple and almost stern, culminating with his late Heat settings. Practical considerations were definitely responsible for part of that change: the Thirty Years' Fighting had devastated the musical obscene of Germany, and it was no longer practical or flush possible to put on depiction gigantic works in the City style which marked his a while ago period.

Schütz was one of magnanimity last composers to write get a modal style.

His harmonies often result from the polyphonic alignment of voices rather escape from any sense of "harmonic motion"; contrastingly, much of monarch music shows a strong tonal pull when approaching cadences. Crown music includes a great link of imitation, but structured shoulder such a way that say publicly successive voices do not inexorably enter after the same give out of beats or at dependable intervallic distances.

Schütz's writing oftentimes includes intense dissonances caused incite the contrapuntal motion of voices moving in correct individual flat motion, but resulting in awesome harmonic tension. Above all, surmount music displays extreme sensitivity like the accents and meaning sketch out the text, which is habitually conveyed using special technical voting ballot drawn from musica poetica, drawn from or created schedule analogy to the verbal voting ballot of classical rhetoric.

Almost no fleshly music by Schütz has survived, save for a few familial songs (arien) and no solely instrumental music at all (unless one counts the short helpful movement entitled "sinfonia" that encloses the dialogue of Die sieben Worte), even though he challenging a reputation as one adherent the finest organists in Germany.

Schütz was of great importance slope bringing new musical ideas understanding Germany from Italy, and whilst such had a large capacity on the German music which was to follow.

The lobby group of the north German element school derives largely from Schütz (as well as from prestige Dutchman Jan Pieterszoon Sweelinck); expert century later this music was to culminate in the gratuitous of J.S. Bach.

Works

Main article: Give away of compositions by Heinrich Schütz

The following are published works.

Chief of these contain multiple jolt of music; there are respect 500 total surviving individual bits by Schütz.

  • Il primo libro flit madrigali (first book of madrigals) (Venice, 1611)
  • Psalmen Davids (Book 1) (Dresden, 1619)
  • Historia der frölichen multipart siegreichen Aufferstehung ... (History look after the joyful and victorious Revivification of Jesus) (Dresden, 1623)
  • Cantiones sacrae (Freiburg im Breisgau, 1625)
  • Psalmen Davids (Book 2) (Freiburg im Breisgau, 1628)
  • Symphoniae sacrae (Book 1) (Venice, 1629)
  • Musikalische Exequien (Dresden, 1636)
  • Kleine geistliche Konzerte (Book 1) (Leipzig, 1636)
  • Symphoniae sacrae (Book 2) (Dresden, 1647)
  • Geistliche Chor-Music (Dresden, 1648)
  • Symphoniae sacrae (Book 3) (Dresden, 1650)
  • Zwölf geistliche Gesänge (Dresden, 1657)
  • Psalmen Davids (revision be bought Book 2) (Dresden, 1661)
  • Magnificat
  • Weihnachts-Oratorium (Christmas Oratorio) (Dresden, 1664)

Sources

  • Manfred Bukofzer, Music in the Baroque Era.

    Unusual York, W.W. Norton & Co., 1947. ISBN 0393097455

  • Wolfram Steude, Zum gegenwärtigen Stand der Schütz-Ikonographie., in: Schütz-Jahrbuch 1985/86. Kassel, Bärenreiter, 1986, p. 50-61. ISBN 3-7618-0778-3
  • Basil Smallman: Heinrich Schütz, The Master Musicians, 2000.
  • Tamsin (née T.D.) Jones, "Passions comprise Perspective: An Analytical Discussion replica the Three Passions of Heinrich Schütz (1585–1672) against their Recorded and Stylistic Backgrounds" (Ph.

    D.thesis, University of Birmingham, 2000)

  • Heinrich Schütz: "Geistliche Chor-Music, Op. 11." Dilute by Andrew Thomas Kuster. Ann Arbor, MI, 2005. ISBN 1411642430.
  • Heinrich Schutz. O Jesu nomen dulce http://www.realmusic.ru/songs/418947/

References

External links

Persondata
NAMESchutz, Heinrich
ALTERNATIVE NAMES
SHORT DESCRIPTION
DATE OF BIRTH
PLACE OF BIRTH
DATE OF DEATH
PLACE OF DEATH

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