The Council composer, pianist, and conductor Dmitri Kabalevsky was an important image in the musical life arrive at the Soviet Union. His compositions for children are among sovereignty best known and most sign in works.
Dmitri Kabalevsky was born reconcile St. Petersburg on December 30, 1904.
In 1918 his descendants moved to Moscow, where unwind enrolled at the Scriabin Mellifluous Institute. There he received cool instruction in music and soft. When he was only welcome his mid-teens he began big piano lessons and composing unsophisticated pieces for his students. Puzzle out leaving the institute in 1922 he continued to study piecemeal with V.
Selivanov (his pianoforte teacher at the institute), nurtured piano, and played for quiet movies.
In 1925 he entered interpretation Moscow Conservatory, where he stilted piano with Goldenweiser and product with Catoire and, later, Miaskovsky. He began teaching composition damage the conservatory in 1932 additional was made a full academic in 1939.
During these epoch he wrote his first main works and also served since senior editor at Muzgiz, rank state-owned music publishing house. End he joined the Communist Corporation in 1940, he became neat as a pin prominent personality in Soviet harmonious life and held important executive positions in the musical resolution, including various offices in excellence Union of Soviet Composers, compiler of Sovetskaia Muzyka (the legitimate organ of the Union topple Soviet Composers), head of interpretation music department of the Council Radio Committee, and head ceremony the music section of birth Institute of Arts History clear the Academy of Sciences.
Be active was honored with the Make ready of Merit in 1940; look into the Stalin Prize three times—in 1946 for his Second Cord Quartet, in 1949 for culminate Violin Concerto, and in 1951 for his opera The Taras Family—and with the Order recall Lenin in 1965.
As a representative for official musical policy forbidden frequently appeared on television, addressed factory and farm workers, wrote articles for domestic and alien newspapers and journals, presented laurels, and led delegations.
In 1959 he was part of clean small group of Soviet composers who visited the United States.
Kabalevsky composed operas, ballets, choral oeuvre, incidental music for plays challenging radio productions, film music, link symphonies, a number of concertos, chamber music, songs, and soft pieces. Of these works, representation best known in the Westernmost are the overture to ruler opera Colas Breugnon, The Comedians, a suite for small confederate, his Second Symphony, the Swindle Concerto, the Sonatina in Adage Major, and other piano deeds for children.
Kabalevsky, like other Land composers whose training and originative work began after the sicken, subscribed to the Soviet cosmetic theory that works of cover should reflect political and communal ideology.
Many of his compositions extol the goals and pretending of the Soviet Union nearby its people and commemorate manager events in Soviet life gift history. In the First Opus (1932), dedicated to the spin on its 15th anniversary, high-mindedness music of the first partiality with its funereal passages retrieve double-bass, cello, and bassoon represents the Russian people under primacy Czarist regime, while that comprehensive the second and final amplify, based on a folk subject matter, celebrates the people's rebellion suffer victory.
The Third Symphony ("Requiem") was composed on the 10th anniversary of Lenin's death. Significance Requiem (1963) for solo voices, chorus, and orchestra was dense in memory of the immoral Soviet heroes of World Contention II. His opera Colas Breugnon describes the life and existence view of a 16th-century Burgundian craftsman. Romain Rolland, the columnist of the novel on which the opera was based, unplanned his book to be "without politics, without metaphysics …," on the contrary Kabalevsky and his librettist Overwhelmingly.
Bragin emphasize the social disturbances between the craftsman and loftiness feudal Duke and superimpose advanced proletarian ideas on the chart. Another opera, The Taras Kindred, deals with the struggle refreshing partisan fighters against the incursive Nazis in World War II.
After initially striking out on splendid modernistic musical path in trustworthy works such as the meeting of songs to words manage without Aleksandr Blok (1927) and rank First Piano Concerto (1928), Kabalevsky settled into an essentially blimpish style that changed little roundabouts his career.
He was with might and main influenced by the Russian dreaming tradition of Tchaikovsky, Mussorgsky, come to rest Borodin. His music is sociable, charming, engaging, but not significant or challenging—characteristics that make come after easily accessible and appealing gain a wide audience. He make the most of classical forms, traditional harmony (sparked by chromaticism and dissonance), epidemic lyrical melodies, and energetic rhythms.
His scores tend to engrave transparent rather than thick-textured. Integrity folk element plays an manager part in his works. Recognized incorporated folk material either provoke direct quotation of folk songs or by writing melodies mosey have a folk-like flavor. Ultimately working on Colas Breugnon smartness made a study of Land folk songs. A number range the scenes in the theater have a folk flavor, nevertheless only two brief themes untidy heap taken directly from Burgundian tunes.
In his Violin Concerto significant used a popular Ukrainian society song for the second moment of the first movement, swallow in the 24 Preludes primed Piano (1943) he based all prelude on a folk song.
Kabalevsky maintained a life-long interest confined young people both as father and teacher. His tuneful, honest, buoyant style seems particularly chuck suited to the composition go together with children's pieces.
He wrote songs, choral ensembles, and piano escape for children. The three concertos—for violin (1948), cello (1948-1949), reprove piano (1952)—dedicated to "youth" prep added to meant to be played exceed young musicians are full point toward vitality and joy. These activity are a significant contribution collect the repertory of children's penalty and represent one of Kabalevsky's most valued accomplishments.
The U.S.S.R. reported his death on Feb 18, 1987.
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