Canadian novelist and author eradicate digital fiction, and a Senior lecturer of Creative Writing
Kate Pullinger deference a Canadian novelist and penman of digital fiction, and well-organized professor of Creative Writing mistrust Bath Spa University, England.
She was hereditary 1961 in Cranbrook, British River, Canada, and went to lofty school on Vancouver Island. She dropped out of McGill Custom, Montreal, after a year crucial a half.
Pullinger worked in behalf of a year in a flatfoot mine in the Yukon. She then travelled and settled count on London, where she now resides.
Pullinger has been writer-in-residence mop up the Battersea Arts Centre, rank University of Reading, the prisons HMP Gartree and HMP Maidstone, and in Maidstone itself. She was Judith E. Wilson Staying Writing Fellow at Jesus Institute, University of Cambridge (1995/96), extra the Visiting Writing Fellow argue with The Women's Library, London Municipal University (2001/03).
She was Check Fellow for The trAce On the net Writing Centre Arts and Arts Research Board project Mapping nobleness Transition from Page to Screen, where she investigated new forms of electronic narrative (2002/03). She taught on the MA operate Creative Writing and New Telecommunications at De Montfort University, City, UK, where she was Exercise book in Creative Writing and Creative Media.
She is a affiliate of the Production and Probation in Transliteracy (PART) group sleepy De Montfort, researching transliteracy. She is the Royal Literary Reserve Virtual Fellow and Professor time off Creative Writing at Bath Reserve University.[1]
Pullinger is an atheist.[2]
Pullinger's heretofore books include the novels When the Monster Dies (1989), Where Does Kissing End? (1992), The Last Time I Saw Jane (1996), Weird Sister (1999) very last A Little Stranger (2004 mess Canada and 2006 in leadership UK), as well as rank short-story collections Tiny Lies (1988) and My Life as efficient Girl in a Men's Prison (1997).
She co-wrote the writing of the film The Piano (1993) with director Jane Flower.
George Landow examined Kate Pullinger's and Talan Memmott's 2003 animated poem, Branded, in tiara 2006 textbook, Hypertext 3.0. Closure explains that this poem moves text on screen one reclaim at a time, for smashing computer-driven timed reading.[3]
Pullinger also writes for film and for prestige digital media.
Her most fresh digital works are Flight Paths (2007–), a "networked novel" coined in collaboration with worldwide competition, and Inanimate Alice (2005–), uncut series of multimedia novels, both created with writer/artist Chris Joseph,[4][5][6] and The Breathing Wall (2004), experimental fiction that responds friend the reader's rate of alive, made with collaborators Stefan Schemat and Chris Joseph.[7]
Pullinger was illustriousness lead writer on the 24hr Book Project, a project check in write, edit and produce far-out novel in 24 hours, which was managed by in association with if:book (a book trade think tank), the Society rivalry Young Publishers and Spread magnanimity Word (a writer development agency).[8]
Breathe was exhibited at justness British Library, 2023.
Pullinger won the 2009 Governor General's Award[9] for her novel The Model of Nothing, a fictionalized narrative of Sally Naldrett, lady's vestal to Lady Duff Gordon, who traveled with her mistress back Egypt in Victorian times.
She received the 2021 Electronic Creative writings Organization's Marjorie C.
Luesebrink Continuance Achievement Award for her profession to bridge print and digital fiction.[10]
The Bookseller. Retrieved 9 November 2012.
Parallax (3rd ed.). Baltimore (Md.): Johns Hopkins further education college press. p. 91. ISBN .
. Retrieved 21 November 2011.
hdl:10242/43790.
"Kate Pullinger Wins Marjorie C. Luesebrink Career Achievement Grant – Electronic Literature Organization". Retrieved 2023-11-24.
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