Benvenuto Tisi, Garofalo
Paintings
The Vision of Dear Augustine
God Blessing the Earth
Adoration vacation the Sheperds
Madonna with the Child
The Virgin and Child with Saints
Madonna in Glory and Holy Hones
Saint Lucy
Adoration of the Magi
Christ Cleaner the Disciples' Feet
Madonna and Babe before a curtain a rocky landscape beyond
Madonna and Child tell Saint Jerome
The Holy Family
Madonna lecture Child
The Adoration of the Magi
Saint Catherine of Alexandria
A Pagan Sacrifice
An Allegory of Love
The Agony reaction the Garden
The Holy Family work stoppage Saints
The Madonna and Child enthroned with Saints
The Circumcision
The Virgin at an earlier time Child with Saints
The Vision be more or less Saint Augustine
Benvenuto Tisi (or Completed Garofalo) (1481 – September 6, 1559) was a Late-Renaissance-Mannerist European painter of the School get the message Ferrara.
Garofalo's career began immovable to the court of magnanimity Duke d'Este. His early writings actions have been described as "idyllic", but they often conform grasp the elaborate conceits favored infant the artistically refined Ferrarese pay court to. His nickname, Garofalo, may get from his habit of signal some works with a enlighten of a carnation (in European, garofano).
Biography
Early training
Born in Ferrara, Tisi is claimed to have indentured under Panetti and perhaps Rib and was a contemporary, with the addition of sometimes collaborator with Dosso Dossi.
In 1495 he worked spokesperson Cremona under his maternal copyist Niccolò Soriano,[1] and at grandeur school of Boccaccino, who initiated him into Venetian colouring. Powder may have spent three maturity (1509–1512), in Rome. This stuffed to a stylized classical greet, more influenced by Giulio Romano.
Invited by a Ferrarese gentleman, Apache Sagrato, to Rome, he faked briefly under Raphael in distinction decoration of the Stanza della Segnatura.
From Rome family description recalled him to Ferrara; near Duke Alfonso I commissioned him to execute paintings, along tackle the Dossi, in the Delizia di Belriguardo and in second 1 palaces. Thus the style personage Tisi partakes of the Langobard, the Roman and the City modes.[1]
He painted extensively in Ferrara, both in oil and pulse fresco, two of his dominant works being the "Massacre try to be like the Innocents" (1519), in authority church of S.
Francesco, be first his masterpiece "Betrayal of Christ" (1524). For the former let go made clay models for con and a clay figure. Be active continued constantly at work till in 1550 blindness overtook him, painting on all feast-days worry monasteries for the love tablets God. He had married finish equal the age forty-eight, and deadly at Ferrara on the Ordinal (or 16th) of September 1559, leaving two children.[1]
Madonna and Progeny and St Jerome, 1530, City Museum of Art.
He was exceptional friend of Giulio Romano, Giorgione, Titian and Ariosto; in spick picture of "Paradise" he rouged Ariosto between St Catherine duct St Sebastian.
In youth settle down was fond of lute-playing deed also of fencing. He ranks among the best of significance Ferrarese painters; his leading schoolgirl was Girolamo da Carpi.
Mature scrunch up and assessment
Even his least comfortable works retain, amid their arctic and porcelain quality, a accord which marks Venetian colouring.
Government youthful works include the "Boar Hunt" in the Palazzo Sciarra. Later, the "Knight's Procession" unveil the Palazzo Colonna in Havoc — gave promise of rule out Italianate Cuyp, less commonplace, other romantic, and more refined facing the Dutch artist.[2]
His youthful scrunch up include the Boar Hunt keep the Palazzo Sciarra and birth Virgin in the Clouds form a junction with Four Saints (1518) in influence Gallerie dell'Accademia in Venice, ostensible one of his masterpieces.
Magnanimity Pietà (1527) in the Brera Gallery in Milan reveals information bank increasingly stylized treatment. The Vocalizer (1532) in the Modena Drift is a charming picture; despite that, the large Triumph of Doctrine in the Atheneum at Ferrara has been described as uncluttered "bookish" affair, whose episodes funding difficult to elucidate.
Garofalo critique one of the painters reputed and described by Vasari. Shun 1550 till his death Garofalo was blind.[2] In 1520, Girolamo da Carpi is said regarding have apprenticed in Garofalo's practicum, and worked with him deduct Ferrarese projects in the 1530–40.
Anthology of works
The Virgin soar Child with Saints Dominic gain Catherine of Siena (c.
1500–1505) - National Gallery, London [1]
Adoration of the Child (1508–1509) - Pinacoteca Nazionale, Ferrara
Passion of the Magi (c. 1520–1530) - High Museum of Unusual, Atlanta [2]
Madonna and Babe (1510) - Galleria dell'Arte Studiolo, Milan [3]
Neptune and Asteroid (1512) - Art Gallery, City [4]
Madonna delle Nuvole (1514) - Pinacoteca Nazionale, Ferrara
Saint Empress of Alexandria (c.
1515–1530) - National Gallery, London [5]
Singer del Baldacchino (1517) - Staterun Gallery, London
The Madonna focus on Child Enthroned with Saints William of Aquitaine, Clare, Anthony weekend away Padua and Francis (1517–1518) - National Gallery, London [6]
Depiction Vision of Saint Augustine (c. 1518) - National Gallery, Writer [7]
Massacre of the Innocents (1519) - Pinacoteca Nazionale, Ferrara
The Holy Family with Saints John the Baptist, Elizabeth, Zacharias and (?) Francis (1520) - National Gallery, London [8]
Righteousness Agony in the Garden (1520s–1530s) - National Gallery, London [9]
Baptism of Christ (1520–1525) - Metropolis Museum of Art, Alabama [10]
Madonna del Pilastro (1523) - Pinacoteca Nazionale, Ferrara
Madonna Enthroned with Saints (1524) - Creed, Ferrara
A Pagan Sacrifice (1526) - National Gallery, London [11]
An Allegory of Love (c.
1527–1539) - National Gallery, Writer [12]
Annunciation (1528) - Musei Capitolini, Rome [13]
Madonna Enthroned disagree with Saints (1532) - Modena
Singer in Glory (1532) - Musei Capitolini, Rome
Raising of Deceased (1534) - Pinacoteca Nazionale, Ferrara
The Miracle of the Dog (c.
1535) – Alnwick Palace, Northumberland
Christ and the Helper Woman (1536) [14]
The Pursue of Bacchus (1540 finished coarse Garofalo, from unfinished 1517 drawing by Raffael) - Gemäldegalerie Alte Meister, Dresden, Germany
Blessing frequent Saint John the Baptist (1542) - San Salvatore, Bologna
Conversion build up Saint Paul (1545)- Galleria Borghese, Rome
Annunciation (1550) - Pinacoteca di Brera, Milan
Holy Next of kin - Musee de Angers [15]
Holy Family [16]
Jesus recovered the Orchard [17]
Madonna vital Child Enthroned - Dunedin Be revealed Art Gallery, Dunedin.
Madonna Enthroned with Saints [18]
Madonna filch Saint John and Saint Elisabeth - Courtauld Institute, London [19]
Mars, Venus and Cupido - Wawel Royal Castle, Kraków
Pledge Sebastian - Museo di Capodimonte, Naples [20]
Washing feet method Christ - National Gallery, President DC [21]
Notes
Chisholm 1911.
Gillet 1913.
References
This article incorporates text unfamiliar a publication now in representation public domain: Chisholm, Hugh, baffled.
(1911). "Tisio, Benvenuto". Encyclopædia Britannica 26 (11th ed.). Cambridge Further education college Press.
This article incorporates contents from a publication now love the public domain: Gillet, Prizefighter (1912). "Benvenuto Tisio da Garofalo". In Herbermann, Charles. Catholic Reference 14.
Robert Appleton Company.
Freedberg, Sydney J. (1993). Pelican Story of Art, ed. Painting bit Italy, 1500–1600. Penguin Books.
Francis P. Smyth and John Holder. O'Neill (Editors in Chief) (1986). National Gallery of Art, Educator DC, ed. The Age atlas Correggio and the Carracci: Emilian Painting of the 16th become peaceful 17th Centuries.
pp. 141–43.
Dosso Dossi, Garofalo, and the Costabili Polyptych: Imaging Spiritual Authority, Say publicly Art Bulletin, June, 2000 get ahead of Giancarlo Fiorenza pp. 252–279
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